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R. SMITHSON, SPIRAL JETTY, SALT LAKE UT (USA), 1970
R. SMITHSON, SPIRAL JETTY, SALT LAKE UT (USA), 1970
R. SMITHSON, SALT LAKE:”VANISHING TRAIL”
R. SMITHSON, SALT LAKE:”VANISHING TRAIL”
R. SMITHSON, SALT LAKE: “SURFACING FROM LOW TIDE ”
R. SMITHSON, SALT LAKE: “IRREGULAR BED OF LIMESTONE, MASSIF OF BLACK BASALT AND SALT CRYSTALS”
R. SMITHSON, SALT LAKE: “THE WATER COMES RIGHT UP TO MAINLAND”
R. SMITHSON, SALT LAKE: “IT IS TIME TO GO”
R. SMITHSON, SALT LAKE: “THEN TO TURN”
R. SMITHSON, SALT LAKE: “AND TURN AGAIN”
limestone, black basalt, salt crysrals, 450X4,5 (external diameter 62)
"The scale of the Spiral Jetty tends to fluctuate depending on where the viewer happens to be. Size determines an object, but scale determines art (...) This description echoes and reflect Brancusi sketch of James Joice as a 'spiral ear' because it suggest both e a visual and an aural scale. Here is a reinforcement and prolongation of spirals that reveberates up and down space and time. So it is that one ceases to consider art in term of an 'object'" R. Smithson, 1972
R. SMITHSON, SALT LAKE: “COMING BACK”
R. SMITHSON, SALT LAKE: “ENDING AND BIGGING”
R. SMITHSON, SALT LAKE: “WOMAN WALKING”
R. SMITHSON, SALT LAKE: “THE EMOTION OF TURNING”
R. SMITHSON, SALT LAKE: “ORIGIN AND END”
R. SMITHSON, SALT LAKE: “THIS SITE WAS A ROTARY THAT ENCLOSED IN AN IMMENSE ROUNDNESS”
R. SMITHSON, SALT LAKE: “WHEN THE A SPIRAL MEET A LINE”
R. SMITHSON, SALT LAKE: “SELF INVOLVING IN THE SPIRAL”
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